“The rage of those abandoned by the economy, the fears and concerns of a beleaguered and insecure middle class, and the numbing isolation that comes with the loss of community, would be the kindling for a dangerous mass movement,” I wrote in “American Fascists” in 2007. “If these dispossessed were not reincorporated into mainstream society, if they eventually lost all hope of finding good, stable jobs and opportunities for themselves and their children — in short, the promise of a brighter future — the specter of American fascism would beset the nation. This despair, this loss of hope, this denial of a future, led the desperate into the arms of those who promised miracles and dreams of apocalyptic glory.”
President-elect Donald Trump does not herald the advent of fascism. He heralds the collapse of the veneer that masked the corruption within the ruling class and their pretense of democracy.
He is the symptom, not the disease.
The loss of basic democratic norms began long before Trump, which paved the road to an American totalitarianism. Deindustrialization, deregulation, austerity, unchecked predatory corporations, including the health-care industry, wholesale surveillance of every American, social inequality, an electoral system that is plagued by legalized bribery, endless and futile wars, the largest prison population in the world, but most of all feelings of betrayal, stagnation and despair, are a toxic brew that culminate in an inchoate hatred of the ruling class and the institutions they have deformed to exclusively serve the rich and the powerful.
The Democrats are as guilty as the Republicans.
“Trump and his coterie of billionaires, generals, half-wits, Christian fascists, criminals, racists, and moral deviants play the role of the Snopes clan in some of William Faulkner’s novels,” I wrote in “America: The Farewell Tour.” “The Snopeses filled the power vacuum of the decayed South and ruthlessly seized control from the degenerated, former slaveholding aristocratic elites. Flem Snopes and his extended family — which includes a killer, a pedophile, a bigamist, an arsonist, a mentally disabled man who copulates with a cow, and a relative who sells tickets to witness the bestiality — are fictional representations of the scum now elevated to the highest level of the federal government. They embody the moral rot unleashed by unfettered capitalism.”
“The usual reference to ‘amorality,’ while accurate, is not sufficiently distinctive and by itself does not allow us to place them, as they should be placed, in a historical moment,” the critic Irving Howe wrote of the Snopeses. “Perhaps the most important thing to be said is that they are what comes afterwards: the creatures that emerge from the devastation, with the slime still upon their lips.”
“Let a world collapse, in the South or Russia, and there appear figures of coarse ambition driving their way up from beneath the social bottom, men to whom moral claims are not so much absurd as incomprehensible, sons of bushwhackers or muzhiks drifting in from nowhere and taking over through the sheer outrageousness of their monolithic force,” Howe wrote. “They become presidents of local banks and chairmen of party regional committees, and later, a trifle slicked up, they muscle their way into Congress or the Politburo. Scavengers without inhibition, they need not believe in the crumbling official code of their society; they need only learn to mimic its sounds.”
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READ MORE: The Chris Hedges Report